Journal and Discussion Questions 6

  1. What vision of Boston do we get in the opening nine chapters of The Bostonians, from Mrs. Luna's opening words to Basil Ransom to the end of the evening at Miss Birdseye's? How does James's Boston of the 1870's (190; ch. 19) differ from Hawthorne's Boston of 1642-49, 1730, and 1776/1838, and Boston of 1809-15 in The Female Marine and 1849 in Venus in Boston, physically, socially, "morally"?

  2. Why does Olive Chancellor hire a carriage to take her and Basil Ransom to Miss Birdseye's (26; ch. 3)? What does her reasoning reveal about "Boston earnestness" (84; vol.2, ch. 30)?

  3. What image of Boston--as "the city of reform" (7; ch.1)-- does Mississipian Basil Ransom bring with him in the opening chapters with his desire to see "'something very Bostonian'" (23; ch. 3), "what strangers come to Boston for" (37; ch. 4 and 46; ch. 6)? How does his image fit with Mrs. Luna's portrayal of Olive's "weird meetings" where "they are all witches and wizards, mediums, and spirit-rappers, and roaring radicals" and of Olive, who "would reform the solar system if she could get hold of it" (6-7; ch. 1)? How is this diminished from "a city upon a hill" and city of revolution?

  4. In his notebook, James in planning the novel notes that he wants to write something "as American, as possible, and full of Boston" (most of his novels take place in Europe and certainly seem to be more European than American) and he chooses as his subject "the most salient and peculiar point in our social life . . . . : the situation of women, the decline of the sentiment of sex, the agitation on their behalf" (qted. "Introduction" xiv to Richard Landsdown's edition). Landsdown explains what James means by the key phrase "decline of the sentiment of sex": "the decline, that is to say, of the entire Victorian sexual attitude, involving a chivalric and paternalistic tolerance of the weaker sex" (xxiii); Basil Ransom "liked" women "not to think too much, not too feel any responsibility for the government of the world, such as he was sure Miss Chancellor felt. If they would only be private and passive, and have no feeling but for that, and leave publicity [public matters] to the sex of tougher hide!" (12-12; ch. 2). How is this related to the history of American women that Hawthorne sketches in the second paragraph of chapter 2 of The Scarlet Letter?

    It was a circumstance to be noted, on the summer morning when our story begins its course, that the women, of whom there were several in the crowd, appeared to take a peculiar interest in whatever penal infliction might be expected to ensue. The age had not so much refinement, that any sense of impropriety restrained the wearers of petticoat and farthingale from stepping forth into the public ways, and wedging their not unsubstantial persons, if occasion were, into the throng nearest to the scaffold at an execution. Morally, as well as materially, there was a coarser fibre in those wives and maidens of old English birth and breeding, than in their fair descendants, separated from them by a series of six or seven generations; for, throughout that chain of ancestry, every successive mother had transmitted to her child a fainter bloom, a more delicate and briefer beauty, and a slighter physical frame, if not a character of less force and solidity, than her own. The women, who were now standing about the prison-door, stood within less than half a century of the period when the man-like Elizabeth had been the not altogether unsuitable representative of the sex. They were her countrywomen; and the beef and ale of their native land, with a moral diet not a whit more refined, entered largely into their composition. The bright morning sun, therefore, shone on broad shoulders and well-developed busts, and on round and ruddy cheeks, that had ripened in the far-off island, and had hardly yet grown paler or thinner in the atmosphere of New England. There was, moreover, a boldness and rotundity of speech among these matrons, as most of them seemed to be, that would startle us at the present day, whether in respect to its purport or its volume of tone.

    Do these women, all of whom with one key exception also appear at the end of the novel when Dimmesdale ascends the scaffold, represent for Hawthorne a better model for women than the more refined and delicate women of his day? How are these women both similar to and different from the agitators on behalf of women in The Bostonians?

  5. What is the novel's attitude toward Miss Birdseye, according to Olive Chancellor, "'the woman in the world . . . who has laboured most for every wise reform . . . . one of the earliest, one of the most passionate, of the old Abolitionists'" (23; ch. 3), "the whole moral history of Boston was reflected in her displaced spectacles" (40; ch.5) [note, however, the suggestions of "displaced spectacles"], and "the last link in a tradition, and . . . when she should be called away the heroic age of New England life--the age of plain living and high thinking, of pure ideals and earnest effort, of moral passion and noble experiment--would effectually be closed" (215; ch. 20), but described by the narrator as "being a confused, entangled, inconsequent, discursive old woman, whose charity began at home and ended nowhere, whose credulity kept pace with it, and who knew less about her fellow creatures, if possible, after fifty years of humanitary zeal, than on the day she had gone into the field to testify against the iniquity of most arrangements," "her best hours had been spent in fancying that she was helping some Southern slave to escape" (31-32; ch. 4)? Is Miss Birdseye Hester Prynne's "destined prophetess," "The angel and apostle of the coming revelation must be a woman, indeed, but lofty, pure, and beautiful; and wise, moreover, not through dusky grief, but the ethereal medium of joy; and showing how sacred love should make us happy, by the truest test of a life successful to such an end!" (204; ch. 24)? What does her name suggest?

  6. James was thought by many, including his own brother, William, to have modeled Miss Birdseye on Elizabeth Palmer Peabody. Judging from the description of Miss Peabody in A Short History of Boston 48-49, do you think James's portrayal is accurate and fair?

  7. What is the connection between Olive Chancellor's belief in "the coming of a better day" (27; ch. 4), indeed, that "the day of their delivery had dawned" (44; ch. 5), Hester Prynne's "firm belief, that, at some brighter period, when the world should have grown ripe for it, in Heaven's own time, a new truth would be revealed, in order to establish the whole relation between man and woman on a surer ground of mutual happiness" (204; ch. 24), and the Duchess's reduction of this "Paradise" to women's acquisition of "the exclusive [male] privilege of unrestricted amative enjoyment" (65; ch. 5)?

  8. Do Hester Prynne and Olive Chancellor have the same vision of what is required of men and women for this transformation to occur? Compare Hester's

    Then, the very nature of the opposite sex, or its long hereditary habit, which has become like nature, is to be essentially modified, before woman can be allowed to assume what seems a fair and suitable position. Finally, all other difficulties being obviated, woman cannot take advantage of these preliminary reforms, until she herself shall have undergone a still mightier change. . . ." (Chapter XIII. 130)

    and Olive's

    the great, the just revolution . . . must triumph, it must sweep everything before it; it must exact from the other, the brutal, blood-stained, ravening race, the last particle of expiation! It would be the greatest change the world had seen; it would be a new era for the human family, and the names of those who helped to show the way and lead the squadrons would be the brightest in the tables of fame. They would be names of women, weak, insulted, persecuted, but devoted in every pulse of their being to the cause, and asking no better fate than to die for it. (44; ch. 6)

    Note also the end of Chapter 20, "Verena . . . was not so hungry for revenge as Olive, but . . . she quite agreed that after so many ages of wrong . . . men must take their turn, men must pay!" (219-20).

    Also, compare "Earlier in life, Hester had vainly imagined that she herself might be destined prophetess" (204; ch. 23) and "it seemed to her [Olive Chancellor] at times that she had been born to lead a crusade" (43; ch. 5).

    Remember that Hawthorne and James were members "of the opposite sex," "the other."

  9. What is the significance of Olive's desire to be a great speaker for the cause ("'Oh, I should so like to speak!'" [42; ch. 5]) and her self-perception that she can't ("'I can't talk to those people, I can't'" [42], Verena's recognition, "'Why, Olive, you are quite a speaker yourself! . . . . You would far surpass me if you would let yourself go'" (165; ch. 17), and the last paragraph of the novel?

  10. What is the importance of Charlie in the novel? See 41/ch. 5; 98/ch. 11; 117-18/ch. 13; 141/ch. 15; 161-62/ch. 16; 163-64/ch. 17; 182-83 [check?]/ch. 24.